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Evolution of Artwork:
Growing and Learning.

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Fairbrother’s early development as an artist was shaped by an abundance of making. From crayon and marker drawings to small air-dry clay sculptures, she approached each project without hesitation or fear. Even at an early age, she was captivated by process and the ability to make something with her hands. She consistently looked forward to her art classes far more than her regular coursework throughout elementary school and middle school. 

 

Much of her early artwork has been carefully archived by her mother, preserving a tangible record of her growth. When placed alongside her current work, these childhood pieces illuminate the continuities and transformations within Fairbrother’s practice, revealing how early, instinctive gestures can gradually mature into a more intentional and refined artistic language. 

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Brianna

crayon on printer paper

8.5" x 11"

May 14th, 2015

Thanksgiving Hand Turkey

crayon and colored pencil

on printer paper

8.5" x 11"

November 20th, 2015

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2015

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Model Magic Pie

colored model magic

about 8" x 5" x 4"

January, 2016

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2016

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2018

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Geometric Lion

colored pencil on yupo

11" x 14"

March, 2018

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Study of Paper Still Life

charcoal and white gel pen

on gray toned paper

18" x 24"

October, 2020

2020

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In Your Blood

oil on newspaper

18" x 24"

November, 2021

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2021

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As Fairbrother moved into middle school and early high school, her artistic interests continued to grow, becoming more deliberate and explorative with her techniques. She gravitated toward refined drawing, spending hours with colored pencils and charcoal to understand form, shadow, and subtle shifts in tone. This growing commitment to skill-building expanded into painting, where she discovered a love for oils during her senior year of high school, and began painting naturalistically/photo-realistically.  

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This drive and interest created the early foundations of her decision to dedicate the continuation of her education and voice, to art making; foreshadowing the exploratory and process-driven approach that continues to guide her undergraduate practice today. 

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2022

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Personal Items Still Life

colored pencil on paper

12" x 18"

April, 2021

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2023

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Lamp Study

charcoal on paper

22" x 30"

December, 2022

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Lunch is Served!

hand-dyed felted wool

12" x 12" x 2"

September, 2023

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Metamorphosis 

colored pencil on

toned paper

8" x 6"

April, 2022

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Threshold

hand-dyed felted wool

and yarn

dimensions vary

December, 2023

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Diagram of the Senses

oil on fabric with

suspended yarn

dimensions vary

February, 2024

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Entering the early years of college, Fairbrother’s artistic interests broadened as she began to learn new mediums while pursuing her painting major. She became increasingly drawn to sculpture and the possibilities of integrating three-dimensional forms into her work, even within painting. This period marked a shift toward experimentation and an interest in testing how materials could be combined, layered, and transformed to create dimensionality and tangible forms.  

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Working with a mix of mediums still allows Fairbrother to think about her practice from multiple different angles, setting the groundwork for the hybrid, materially driven practice she continues to work with today.  

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2024

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Untitled (Heaps)

acrylic, cardboard, beads

and thread on canvas

20" x 30"

April, 2024

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Frog Dining Set

porcelain 

dimensions vary

May, 2024

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Untitled (Draped in Cones)

felted wool, lace, yarn

dimensions vary

December, 2024

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2015-2024

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BRIANNA FAIRBROTHER

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